




📄 Elevate your print game with Springhill’s premium cardstock—where quality meets sustainability!
Springhill Cardstock Paper is a 90lb (163gsm), 8.5 x 11 inch white index cardstock with a bright 92 brightness rating. Its smooth, hard finish guarantees excellent printability with both ink and toner, while offering superior durability and flexibility for die-cutting, scoring, and folding. Made from FSC certified wood, this 250-sheet ream is perfect for professional office use, including index cards, brochures, menus, and direct mail, combining premium quality with eco-conscious sourcing.







| ASIN | B009ZMMH78 |
| Best Sellers Rank | 207,026 in Office Paper Products |
| Brand | Springhill |
| Brand Name | Springhill |
| Colour | White |
| Customer Reviews | 4.5 out of 5 stars 7,047 Reviews |
| Global Trade Identification Number | 00091083051010 |
| Included Components | Index Card, Index Cards (Paper) |
| Item Weight | 2.45 kg |
| Item weight | 2.45 kg |
| Luminanax Lux | 92.00 |
| Manufacturer | International Paper (Office) |
| Material | Paper |
| Material Type | Paper |
| Sheet Count | 250 |
| Sheet count | 250 |
| Size | 8.5 x 11 |
| UPC | 091083051010 |
| Unit Count | 250.0 count |
J**S
Nice 110lb INDEX cardstock
Nice cardstock. The shade of white, is a nice bright white. Know what your buying before you purchase. This is 110lb INDEX cardstock which isn't the same weight as 110lb COVER cardstock. 110 cover cardstock is about 300gsm while 110 index (this product) is 199 gsm. Stop confusing apples to oranges in your reviews. This cardstock in thickness/weight would be probably be equivalent to somewhere is the middle of 65-80 cover cardstock. (A little thicker than Michael's recollections 65lb cardstock.) It isn't at thick as Michael's 110lb cardstock because it's INDEX cardstock not COVER cardstock.
C**E
Love it.
Great paper for coloured pencils. Great tooth.
K**R
Colored Pencil Comparison: this paper vs 67 pd. Bristol Vellum & 80 pd Hammermill Premium Copy Paper
I am an avid colorist. I use colored pencils to color. As a hobbyist, I didn't want to color in some of the books I had purchased because I was still learning so much and wanted to practice. I started to copy my books and after several different types and weights of paper, I ended up preferring this paper to any of the others I had tried. It was superior to the paper in the coloring books 99 percent of the time. I wanted a paper which you could erase where necessary without destroying all the tooth of the paper. While I now try to use only the Faber Castell box that lifts the pigment off the page, I also have a Tombow eraser and an electric one which allows me to erase a fine detail. I also wanted a paper that you could apply many layers of pencil to as a beginner I was always having to add color to get the desired result. Recently I had a book which I did color in as I knew I wasn't crazy about the images and would never want to repeat them. That book had a slicker paper and I did like it both in terms of application of the pencil and the end result. So I purchased two other papers to compare to this one to see what difference the paper actually makes. I purchased a really bright white paper of the same weight as this, the Hammermill Premium Color Copy 80 pound paper as well as the Exact Neehan Bristol Vellum in a 67 pound weight. This review compares the three papers for colored pencil purposes. Keeping in mind that I am a hobbyist, not an artist, I colored the same page from Wild Soul book by Grazio Salvo. I used primarily the Lyra Rembrant polycolor oil pencil, with a few Tombow Irojitens and Prismacolor Verithins which are both wax based. I used the same pencil colors and tried to make everything the same in coloring the three different papers. I was truly surprised at the outcome. In all but two areas this paper was hands down the best paper for colored pencils. The Hammermill was the brightest white. This paper jammed in my printer and the other two did not. Otherwise in all comparisons I would recommend this paper. In the photo showing all three, this paper is first, followed by the 67 pound Neeham Bristol Vellum, with the Hammermill paper shown last. I did identify the papers in the margin as well as drawing lines to show where I used different ways to blend. Although the background had the same number of layers applied in a cross hatch with a single blue pencil, it appeared deeper and darker blue in this paper than in the other two. The Hammermill slick finished paper just didn't accept as many layers of color. (I actually added two more layers with that paper for a total of 8 layers!) There wasn't a huge difference between the 67 pound Bristol vellum and this bristol vellum so if money is a factor the 67 pound is obviously less expensive. As I look at the outcome on this paper I see numerous places where I should go back to adjust the color. With this heavier weight, I can easily do so. In the background I also tried three different blending techniques, Gamisol, Caran d'Ache full blender pencil and a white colored Lyra pencil. The Gamisol (oderless mineral spirits) had the largest area in front of the women's head to the top of page. Because this paper is thicker I didn't have to worry as much about the liquid blender. It blended very well with this method on this paper. With the Hammermill, I ended up with a bunch of pigment on the end of my qtip, so instead of blending I was removing! The bottom corner under the tiger's nose was not blended at all. The area in front of the tiger's nose was blended with a white Lyra pencil. It did lighten the color slightly when blending. The best result was behind the women's head where I used a Caran 'd Ache full color blending pencil. This pencil actually feels like you are putting down wax while blending. The result was to eliminate the pencil lines and get a deep blended blue color, that fully saturated the paper. While there were significant differences between the Bristol Vellum papers and the Hammermill papers, the difference between the two Bristol Vellum papers was fairly minimal. As this paper was my first and the other Bristol Vellum my third coloring of the same image I would expect improvement even in such a short rushed period of time. That was in fact the case, but the improvement had nothing to do with the paper only the person using the paper! Even with the occasional jamming issue I really love this paper. I have copied over 450 pages to copy at this point. (I am on my second ream and about half of it is gone.) As I am making these copies to practice, I do copy on both sides of the paper. All three papers performed well in copying on both sides. I would recommend you try a variety of papers if possible as much of this may be merely personal preference. From my point of view using this paper has only made me more critical of the paper used in most adult coloring books. For 250 sheets the price is very fair. This paper was less expensive than other identical paper made by other manufacturers. Without question this paper will be my first choice when coping images to color with colored pencil. (I would also think this paper would be preferable for wetter mediums, watercolor or marker, as it is thicker and will not bleed through as easily. Because it has more tooth or texture, I would think it would be better in that regard the slicker paper of equal weight.)
L**S
Tal cual lo que decía
Excelente calidad, justo lo que esperaba
L**G
Craziest buy
Never would I imagine to buy white paper just shipped from the US. But really can't find nice thick affordable paper like these in stores for my projects.
Trustpilot
2 weeks ago
1 month ago