---
product_id: 796620127
title: "Behringer Ultrapatch Pro Px3000 3-Mode Multi-Functional 48-Point Balanced Patchbay"
brand: "behringer"
price: "R$1439"
currency: BRL
in_stock: false
reviews_count: 8
category: "Behringer"
url: https://www.desertcart.com.br/products/796620127-behringer-ultrapatch-pro-px3000-3-mode-multi-functional-48-point
store_origin: BR
region: Brazil
---

# 48 balanced TRS jacks 3-mode switchable channels rugged, long-lasting build Behringer Ultrapatch Pro Px3000 3-Mode Multi-Functional 48-Point Balanced Patchbay

**Brand:** behringer
**Price:** R$1439
**Availability:** ❌ Out of Stock

## Summary

> 🎛️ Transform your studio into a cable-commanding powerhouse!

## Quick Answers

- **What is this?** Behringer Ultrapatch Pro Px3000 3-Mode Multi-Functional 48-Point Balanced Patchbay by behringer
- **How much does it cost?** R$1439 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.com.br](https://www.desertcart.com.br/products/796620127-behringer-ultrapatch-pro-px3000-3-mode-multi-functional-48-point)

## Best For

- behringer enthusiasts

## Why This Product

- Trusted behringer brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Built to Endure:** Rugged construction and premium components ensure years of reliable, noise-free performance.
- • **Upgrade Your Workflow:** Say goodbye to cable clutter and hello to streamlined, professional audio management.
- • **Effortless Plug & Play:** Smooth TRS jacks glide in and out without fuss, making setup and reconfiguration a breeze.
- • **Switch Modes Like a Pro:** Easily toggle between Normal, Thru, and Half-Normal modes for ultimate routing flexibility.
- • **Master Your Studio Chaos:** 48 fully balanced 1/4-inch TRS jacks keep your cables impeccably organized and tangle-free.

## Overview

The Behringer Ultrapatch Pro PX3000 is a 48-point balanced patchbay featuring high-quality 1/4-inch TRS jacks with three selectable modes (Normal, Thru, Half-Normal) per channel. Designed for professional studios and live setups, it offers rugged construction, low impedance connections, and smooth plug action to keep your audio routing clean, flexible, and reliable.

## Description

desertcart.com Dismantling a stage after a gig is much easier when cables are organized. BEHRINGER's ULTRAPATCH PRO PX3000 is just what you need to conserve space in the studio or on stage, keeping your cables orderly and tangle-free. Keep It Clean.48-Point Patchbay This 48-point patchbay features high-quality, fully-balanced 1/4-inch TRS jacks. The multi-functional PX3000 is the ideal way to gain control over the cable runs in your studio. Crawling around under your desk searching for cables will become a thing of the past. The PX3000's three modes function as follows: NORMAL interconnects the two rear jacks of one channel; inserting a plug into one of the front jacks interrupts the connection of the rear jacks. THRU interconnects each rear jack with its corresponding front jack. HALF NORMAL interconnects the two rear jacks of one channel; inserting a plug into the lower front jack interrupts the connection of the rear jacks. One Smart Solution The ULTRAPATCH PRO PX3000 makes it easy to stay organized and conserve space. Plug into this incredibly useful audio solution and see how it streamlines your stage and studio. What's in the Box ULTRAPATCH PRO PX3000, User's Manual Product Description 3-Mode Multi-Functional 48-Point Balanced Patchbay

Review: Behringer Patch bay rocks - Like many others I dismissed the Behringer patchbay because it was tooooo cheap, how could it possibly be anygood? A BIT OF HISTORY: Back in the 90's I bought some of the Neutrik TRS patchbays, back then they worked pretty well but over the years the newer versions of the Neutriks have different jacks in them that are difficult to plug in and the normal connections have gotten flakey. Besides the jacks getting cheaper and cheaper in the Neutrik units the metal work has changed from year to year, now the face plate is held on with two little screws that barely engage the metal and if you lose one the whole thing becomes a flimsy mess. So I looked for a replacement and almost passed on the Behringer units again because of the low low price. I'm an electrical design engineer by trade and build a lot of my own gadgets. There are 96 1/4" TRS jacks on one of these patchbays, $50/96= just $.52-cents per jack (not including metal work, packaging or labor), how could they possibly be any good? Then I found a review online from someone who had been using the Behringer units for years without problems. He stated that the key to using them was to support the cables so they don't put a strain on the jacks. Recently we were putting a broadcast studio together and needed some patch capability so we decided to try one of the Behringer units. It was sort of a joke at first, everyone expected these units to be crap. Instead, we found a product that works fantastic, is super easy to configure (due to the 3-pos switches) and the jacks are like buttered toast, no more fighting to get the cable in or out. TRS plugs glide in and out smoothly, easily and most important of all, reliably! I measured the impedance from input to output of one channel (passing thru the normal connection path) using a Fluke DVM and found less than one-ohm of series resistance, this speaks pretty well for the normalled connection not degrading your audio sonically. On some old "mil spec" patchbays I've measured as much as 10 ohms thru the normal path, that's what happens when the contacts get dirty. On one of our Neutirks that was going flakey I measured 39 ohms in series, that's enough to seriously upset the CMRR of a balanced line which can be a big source of noise. We now have four of the PX3000 installed and no issues with a single connection. I've used them in all three modes (normalled, unnormalled and half normalled) and they are in use every day. We don't do a ton of patching on them (the normal connections run our studio) but when we need to insert something or do a quick reroute these tools get the job done reliably. Each channel of the PX3000 is built on its own little circuit board (I had to look inside) which slides into the metal frame. You never have to access these little boards to configure the patchbay (like on Neutrik, DBX, and others) but the little boards do have a very tiny amount of give in the chassis, this is what makes it feel a bit "unsolid" to some folks. It's not a flaw, it's just the way they are built and so far it has not affected my installation one bit. Several of my Neutrik patchbays act the same way (channel boards moving slightly when you insert or remove a cable). I'm very happy with these and ordering a few more before they raise the price. REVIEW UPDATE: MARCH 2013 We're up to eight of these in our broadcast rig with zero problems, just ordered our 9th one. I make most of my cables myself using Canare and Mogami wire with Switchcraft plugs and have zero noise problems. I always clean my plugs with Deoxit prior to plugging them in for long use. I've know many people who just assume their connectors are clean, most have oil on them from manufacturing that can cause interference and distortion. Good music to everyone!
Review: Cheap and easy to modify, rear jacks are especially tight, which is good! - I'll let the other reviews describe the functionality. No surprises there. The rear jacks are tighter than I would have liked at first, but that's grown on me to be a good thing! It keeps those mostly-permanent cords from pulling out while you're shuffling things around. Just be aware that fragile cords and connectors may not like the rear jacks. The front ones feel about right for regular use. I modified 6 adjacent channels to be half-normalled *horizontally*, instead of vertically as usual, so I could arrange things in a way that makes a little bit more sense to me: - Remove all the screws - allen/hex on the front, then phillips on top - and take 6 circuit boards out. These are going to be 3 stereo pairs, half-normalled to mono horizontally. - For 3 of them, drill a small hole in the middle of the big ground plane, so as not to disrupt anything, and away from the jacks and switch of course. - Feed two small wires through that hole, and solder them to the front jack of the same board, and its neighbor on the other side of the hole. (see note below) All of this plugs into the same mixing console, so I don't need to connect the grounds here - the console already does that - but depending on what you're doing, you might need to add a third wire for that too. - Reassemble. - Remember to keep the switches centered for all 6 of those channels. (no connection, as far as it's concerned, so it doesn't interfere with the one you just added) Note: Pay close attention to which pins you're soldering to! This defines the normalling function in the first place, and its direction: - For half-normalling, you want the direct contacts of one, and the switch contacts of the other. - For full-normalling, you want the switch contacts of both. For orientation, the traces from front to back connect to the direct contacts. The other pins of the front jacks are the switch contacts. The rear jacks don't have switches.

## Features

- Through Modes
- Professional patchbay eliminates cable clutter in your studio, adding order and clarity
- Each channel can be switched to Parallel, Half-normalled, Normalled and Open function for ultimate flexibility
- High-quality components and exceptionally rugged construction ensure long life

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B000CZ0RII |
| Best Sellers Rank | #13,635 in Musical Instruments ( See Top 100 in Musical Instruments ) #129 in PA Systems #4,676 in Music Recording Equipment |
| Brand | Behringer |
| Brand Name | Behringer |
| Cable Type | TRS |
| Color | Slvr/Blk |
| Compatible Devices | Personal Computer |
| Compatible Phone Models | No Compatible Phone Models |
| Connectivity Technology | TRS, TS, XLR, MIDI |
| Connector Gender | Male-to-Male |
| Connector Type | Trs |
| Customer Package Type | Standard Packaging |
| Customer Reviews | 4.6 out of 5 stars 402 Reviews |
| Included Components | Px3000 48 Pt Trs Patchbay With Selectable Normal |
| Indoor Outdoor Usage | Indoor |
| Item Type Name | PA System |
| Item Weight | 3.9 Pounds |
| Manufacturer | Behringer |
| Model | PX3000 |
| Model Name | PX3000 |
| Number of Items | 1 |
| Part Number | P0268 |
| Recommended Uses For Product | Audio Networking |
| UPC | 736211577443 |
| Unit Count | 1.0 Count |
| Warranty Description | Products are covered by behringer manufacturer's warranty within one year of the original date of purchase from an authorized behringer dealer. If your behringer product is still under warranty, you must obtain a return authorization (ra) number from behringer before sending your product to an authorized service center for warranty service. |

## Product Details

- **Brand:** Behringer
- **Cable Type:** TRS
- **Compatible Devices:** Personal Computer
- **Compatible Phone Models:** No Compatible Phone Models
- **Connector Type:** Trs

## Images

![Behringer Ultrapatch Pro Px3000 3-Mode Multi-Functional 48-Point Balanced Patchbay - Image 1](https://m.media-amazon.com/images/I/51L1pKqnclL.jpg)

## Available Options

This product comes in different **Style** options.

## Questions & Answers

**Q: What does this do?**
A: It allows you to have all of your signal processors'  ins and outs in one place instead of having to dig around behind the rack when you want to connect something or change their order.

**Q: How many spaces will this take up?**
A: It takes one space on the rack.

**Q: Does this work as a splitter, like can i send a signal to the foh and monitor system?**
A: Yes if you set the patchbay to keep the original signal path uninterrupted as in half normal. So the back jacks and the front jacks will have a signal present.  You could split them that way.  If you are sending amplifier output, doing so would probably cause impedance issues and damage your amp or speaker.  If it is only line level signals that would work.

**Q: can this be used to route amplified speaker singals?**
A: Not a good idea at all.  Speaker voltages are quite high and pulling cables in and out of this device will create transient voltages, sparks perhaps ,quickly ruining the TRS jack contacts.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Behringer Patch bay rocks
*by M***G on June 30, 2011*

Like many others I dismissed the Behringer patchbay because it was tooooo cheap, how could it possibly be anygood? A BIT OF HISTORY: Back in the 90's I bought some of the Neutrik TRS patchbays, back then they worked pretty well but over the years the newer versions of the Neutriks have different jacks in them that are difficult to plug in and the normal connections have gotten flakey. Besides the jacks getting cheaper and cheaper in the Neutrik units the metal work has changed from year to year, now the face plate is held on with two little screws that barely engage the metal and if you lose one the whole thing becomes a flimsy mess. So I looked for a replacement and almost passed on the Behringer units again because of the low low price. I'm an electrical design engineer by trade and build a lot of my own gadgets. There are 96 1/4" TRS jacks on one of these patchbays, $50/96= just $.52-cents per jack (not including metal work, packaging or labor), how could they possibly be any good? Then I found a review online from someone who had been using the Behringer units for years without problems. He stated that the key to using them was to support the cables so they don't put a strain on the jacks. Recently we were putting a broadcast studio together and needed some patch capability so we decided to try one of the Behringer units. It was sort of a joke at first, everyone expected these units to be crap. Instead, we found a product that works fantastic, is super easy to configure (due to the 3-pos switches) and the jacks are like buttered toast, no more fighting to get the cable in or out. TRS plugs glide in and out smoothly, easily and most important of all, reliably! I measured the impedance from input to output of one channel (passing thru the normal connection path) using a Fluke DVM and found less than one-ohm of series resistance, this speaks pretty well for the normalled connection not degrading your audio sonically. On some old "mil spec" patchbays I've measured as much as 10 ohms thru the normal path, that's what happens when the contacts get dirty. On one of our Neutirks that was going flakey I measured 39 ohms in series, that's enough to seriously upset the CMRR of a balanced line which can be a big source of noise. We now have four of the PX3000 installed and no issues with a single connection. I've used them in all three modes (normalled, unnormalled and half normalled) and they are in use every day. We don't do a ton of patching on them (the normal connections run our studio) but when we need to insert something or do a quick reroute these tools get the job done reliably. Each channel of the PX3000 is built on its own little circuit board (I had to look inside) which slides into the metal frame. You never have to access these little boards to configure the patchbay (like on Neutrik, DBX, and others) but the little boards do have a very tiny amount of give in the chassis, this is what makes it feel a bit "unsolid" to some folks. It's not a flaw, it's just the way they are built and so far it has not affected my installation one bit. Several of my Neutrik patchbays act the same way (channel boards moving slightly when you insert or remove a cable). I'm very happy with these and ordering a few more before they raise the price. REVIEW UPDATE: MARCH 2013 We're up to eight of these in our broadcast rig with zero problems, just ordered our 9th one. I make most of my cables myself using Canare and Mogami wire with Switchcraft plugs and have zero noise problems. I always clean my plugs with Deoxit prior to plugging them in for long use. I've know many people who just assume their connectors are clean, most have oil on them from manufacturing that can cause interference and distortion. Good music to everyone!

### ⭐⭐⭐⭐⭐ Cheap and easy to modify, rear jacks are especially tight, which is good!
*by A***. on February 4, 2025*

I'll let the other reviews describe the functionality. No surprises there. The rear jacks are tighter than I would have liked at first, but that's grown on me to be a good thing! It keeps those mostly-permanent cords from pulling out while you're shuffling things around. Just be aware that fragile cords and connectors may not like the rear jacks. The front ones feel about right for regular use. I modified 6 adjacent channels to be half-normalled *horizontally*, instead of vertically as usual, so I could arrange things in a way that makes a little bit more sense to me: - Remove all the screws - allen/hex on the front, then phillips on top - and take 6 circuit boards out. These are going to be 3 stereo pairs, half-normalled to mono horizontally. - For 3 of them, drill a small hole in the middle of the big ground plane, so as not to disrupt anything, and away from the jacks and switch of course. - Feed two small wires through that hole, and solder them to the front jack of the same board, and its neighbor on the other side of the hole. (see note below) All of this plugs into the same mixing console, so I don't need to connect the grounds here - the console already does that - but depending on what you're doing, you might need to add a third wire for that too. - Reassemble. - Remember to keep the switches centered for all 6 of those channels. (no connection, as far as it's concerned, so it doesn't interfere with the one you just added) Note: Pay close attention to which pins you're soldering to! This defines the normalling function in the first place, and its direction: - For half-normalling, you want the direct contacts of one, and the switch contacts of the other. - For full-normalling, you want the switch contacts of both. For orientation, the traces from front to back connect to the direct contacts. The other pins of the front jacks are the switch contacts. The rear jacks don't have switches.

### ⭐⭐⭐⭐⭐ Lifesaver!
*by L***L on April 3, 2024*

In my studio, I have mic/instrument inputs in my walls that run behind my desk. My interface inputs are on the back of the interface so this device, in normal mode, connects my lines on the back without me doing anything on the front. It seems to be solid and looks great in the rack. I will be buying more of these.

## Frequently Bought Together

- Behringer Ultrapatch Pro PX3000 48-point 1/4 inch TRS Balanced Patchbay
- AxcessAbles 1/4" TRS to 1/4" TRS Balanced Stereo Patch Cables (6 Pack - 1ft)
- Monoprice 8-Channel 1/4-Inch TRS Male to 1/4-Inch TRS Male Snake Cable - 3 Feet, 26AWG, 8 Balanced Mono and Unbalanced Stereo Lines

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*Product available on Desertcart Brazil*
*Store origin: BR*
*Last updated: 2026-05-08*