---
product_id: 46185921
title: "BUBBLE AND SCRAPE"
brand: "sebadoh"
price: "R$280"
currency: BRL
in_stock: true
reviews_count: 6
url: https://www.desertcart.com.br/products/46185921-bubble-and-scrape
store_origin: BR
region: Brazil
---

# BUBBLE AND SCRAPE

**Brand:** sebadoh
**Price:** R$280
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** BUBBLE AND SCRAPE by sebadoh
- **How much does it cost?** R$280 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.br](https://www.desertcart.com.br/products/46185921-bubble-and-scrape)

## Best For

- sebadoh enthusiasts

## Why This Product

- Trusted sebadoh brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Description



## Images

![BUBBLE AND SCRAPE - Image 1](https://m.media-amazon.com/images/I/81HU4bXFheL.jpg)
![BUBBLE AND SCRAPE - Image 2](https://m.media-amazon.com/images/I/71PIToOmCNL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 1993’s statement for the ages!
*by M***N on March 21, 2020*

The essential, 1993 masterpiece of the lo-fi sub-genre of 90’s indie rock. Slightly more dangerous and eccentric than Sebadoh’s more critically acclaimed follow-up, Bakesake (1994), this album luckily still features founding member Eric Gaffney on the mic and in the songwriting chair. In the tradition of previous great Sebadoh releases, a democratic and Beatlesesque approach to arranging the songs, within the format of the studio LP, is at its most demonstrative and at its full glory. “Way to go, Sebadoh!”.

### ⭐⭐⭐⭐ fantastic disaster.
*by M***. on June 12, 2006*

This album kind of presents the band as three pretty different kinds of songwriters, which can make it feel frustratingly choppy and schizophrenic, but also makes it entertainingly unpredictable. Lou Barlow presents himself as the sensitive, heart-on-sleeve one, with melancholy melodies and emotionally direct lyrics like "guilt is a stupid thing, don't let it make you stay/ leave me if you're wanting someone else, I'll be okay". Though his lyrics occasionally approach lovelorn cliche, his sincere delivery mostly manages to make them believable and affecting, and he also provides most of the album's more immediate melodies. Jason Loewenstein is overall fairly compatible with Barlow; though his lyrics can be little more abstract and his material can get a little bit noisier, his songs are pretty sympathetic in tone to the Barlow ones. But then completely out of left field we have the oddball noise-punk of Eric Gaffney. While his contributions are pretty acquired taste, and usually don't end up making much musical sense, he always brings some interesting ideas to the table, and unlike the Barlow and Loewenstein numbers, I honestly haven't heard anything quite like them. There's a few clear traces of Minutemen and Sonic Youth influences, but he makes it fully his own with queasy chord changes, psychotic screaming, and unpredictable shifts in structure and even genre ("Fantastic Disaster" keeps jumping into bizarre out of tune harmonica/piano breaks, "Emma Get Wild" starts out as a surf/jazz instrumental before suddenly turning into a slightly unhinged Daydream Nation rocker, "No Way Out" fades out after about a minute, then devotes half of it's run time to a bizarre collage of unintelligible sped up voices and clips apparently taped off the radio). There seems to be an attempt to make it flow a little better by pairing off songs by whoever happens to be singing lead at the time, but in a way this emphasizes the differences in approach even more. Honestly it feels a little like listening to the a and b-sides of singles by three different bands that are only similar in that they all feature lo-fi production and ragged playing. Still, overall this is a pretty good listen for anyone exploring mid-90's underground rock.

### ⭐⭐⭐⭐⭐ A worthwhile issue
*by D***N on February 16, 2013*

Bubble and Scrape is a great Sebadoh album and the extra tracks here add to its value. The style of the bonus tracks is a bit different, like Sebadoh 3 but completely electric. Many are essential for anyone who likes Sebadoh, with a fascinating set of instrumental collages in Parts 1-4 (the Jason Loewenstein contribution part 4 is especially good), and another great Sebadoh cover in Reject. We should be grateful to have these extra tracks available and I don't see that they detract from the album.

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---

*Product available on Desertcart Brazil*
*Store origin: BR*
*Last updated: 2026-02-23*