---
product_id: 386433779
title: "Panasonic LUMIX S5 Full Frame Mirrorless Camera, 4K 60P Video Recording with Flip Screen & Wifi, L-Mount, 5-Axis Dual I.S., DC-S5BODY (Black)"
brand: "panasonic"
price: "R$47134"
currency: BRL
in_stock: true
reviews_count: 5
url: https://www.desertcart.com.br/products/386433779-panasonic-lumix-s5-full-frame-mirrorless-camera-4k-60p-video
store_origin: BR
region: Brazil
---

# 5-axis Dual I.S. stabilization 4K 60p 10-bit video Wi-Fi & Bluetooth connectivity Panasonic LUMIX S5 Full Frame Mirrorless Camera, 4K 60P Video Recording with Flip Screen & Wifi, L-Mount, 5-Axis Dual I.S., DC-S5BODY (Black)

**Brand:** panasonic
**Price:** R$47134
**Availability:** ✅ In Stock

## Summary

> 📸 Elevate your content game with the Panasonic LUMIX S5 — where pro video meets stunning stills in one sleek package.

## Quick Answers

- **What is this?** Panasonic LUMIX S5 Full Frame Mirrorless Camera, 4K 60P Video Recording with Flip Screen & Wifi, L-Mount, 5-Axis Dual I.S., DC-S5BODY (Black) by panasonic
- **How much does it cost?** R$47134 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.br](https://www.desertcart.com.br/products/386433779-panasonic-lumix-s5-full-frame-mirrorless-camera-4k-60p-video)

## Best For

- panasonic enthusiasts

## Why This Product

- Trusted panasonic brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Compact Powerhouse:** Lightweight full-frame body with Dual Native ISO up to 51200 means you’re ready for any lighting scenario without compromise.
- • **Cinematic 4K Mastery:** Shoot ultra-smooth 4K 60p video with 10-bit color depth for professional-grade footage that stands out on every platform.
- • **Rock-Solid Stability:** 5-axis Dual I.S. 2 image stabilization lets you capture crisp shots and buttery-smooth video—even handheld or on the move.
- • **Precision Autofocus Tech:** Advanced eye, face, head, and body detection autofocus ensures your subject stays razor sharp in every frame.
- • **Creative Freedom Unleashed:** Flip-out touchscreen, Live View Composite mode, and anamorphic support empower your most ambitious visual storytelling.

## Overview

The Panasonic LUMIX S5 is a versatile full-frame mirrorless camera designed for hybrid photo and video creators. It features a 24.2MP sensor, 4K 60p 10-bit internal recording, advanced 5-axis Dual I.S. stabilization, and high-precision autofocus with eye and body detection. With Dual Native ISO up to 51200 and a rugged, lightweight body, it delivers cinematic video quality and detailed stills, supported by Wi-Fi and Bluetooth for seamless connectivity.

## Description

LUMIX S5 is a hybrid full-frame mirrorless camera that achieves both excellent performance in photo/video in a compact body designed for aspirational content creators. At the heart of the camera, the LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor that boasts a wide dynamic range and high sensitivity performance made possible by sufficient light condensation. The LUMIX S5 further realizes recording maximum ISO51200 crystal-clear high sensitivity video with the adoption of the Dual Native ISO technology. The LUMIX S5 is capable of 4K 60p/50p 4:2:0 10-bit, and 4K 30p/25p 4:2:2 10-bit internal recording. It is also capable of 4K 60p/50p 4:2:2 10-bit HDMI output. For 4K 30p/25p 4:2:0 8-bit internal recording, there is no time limit. Panasonic’s exceptional heat dispersion technology realizes stable, long time video recording. The LUMIX S5 provides 14+ stops of dynamic range, which is as wide as those of cinema cameras, and V-Log / V-Gamut compatibility with popular colorimetry called “VariCam Look”. A variety of recording formats and modes including 4:3 Anamorphic mode, Slow & Quick Motion, 4K/60p interval shooting and 4K HDR are also provided. The LUMIX S5 boasts high-speed, high-precision AF in both photo shooting and video recording that are made possible with advanced deep-learning technology featuring real-time detection of the subject’s type and parts such as human eye, face, head and body. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S.2 compensates for blurring even powerfully, allowing the use of a 6.5-stop*3 slower shutter speed. The splash/dust-resistant rugged design provides professional photographers with high reliability. To enhance the photographic experience, the 96-megapixel High Resolution Mode (JPEG/RAW), Live View Composite function and HLG Photo mode are available.

Review: Great photography camera and great B-Cam - I often use the Lumix S5 as a B-camera to the Blackmagic 6k Pro. Shoot in V-Log and colour transform to Blackmagic Gen 5 in DaVinci Resolve. The colours match pretty well with the 6K Pro in good lighting scenarios. I don't rely on auto focus, but what I can say is that the S5 doesn't perform well. But, then again, I don't use AF. In good lighting situations set the f-stop appropriately and keep the subject in place. For photos, it's great. One reason why I didn't buy another Blackmagic camera as a b-cam is because I wanted to do photos as well. The S5 has a great price under $1,950 CAD NEW. If you find the camera more than that that the seller is scamming you.
Review: Excellent video, with minor issues - I have been using this for at least two years. The stand out features of this is the video quality, and IBIS. I primarily use this for video in 10 bit. The good I do not have overheating issues when shooting in 10 bit mode, though in 90F heat I do feel it get noticeably warm after an hour. I have not had it shut down on me. The battery is typically safe for 1:30 of 10 bit footage (1:45 or 1:50 total possibly) when using the LCD. Using 3rd party batteries there is at least 15% less run time on average. When comparing against the Sony A7, there is the light weight construction (sony is no different) control ergonomics (something sony lacks) and control options (way better than sony). The video quality is better than my D850. I have at least four video profiles set up on my camera depending on the situation, but you can have more under C3 by going through the menu. I have shot it in (almost) complete darkness and was able to get usable footage after some light cleaning (flat profile). For sound, the auto limit works and keeps things from clipping. The 20-60mm lens is pretty good as a kit video lens for most things. It has a sharpness falloff after 35mm or so, but most of my use is at 20mm. The LCD screen can be customized to your liking with multiple options. There are several profiles to choose from, and you can additionally tweak most of them. I use Cine-D for outside, Natural for indoors, Flat for low light and the last one is the 8 bit mode in 709 for long shooting. Lots of control here. No issues with Auto-focus when shooting pictures. Having the options to choose either e-shutter or mechanical is an advantage when you want to shoot silently. Fun with manual focus lenses with focus peaking enabled along with IBIS. The not so great Battery life indicator does not have % indication. This makes it difficult to tell if you have 5 more minites of video life left or 30 seconds, when running thr battery down. Though normally getting the battery that low to begin with is bad practice. The supplied charger is no good. It takes too long, costs too much and takes up more space than needed. I use the XTAR 4 bay charger to charge multiple batteries. So the auto focus can hunt some times, which typically happens when there is low light (when you're at iso 12800). This can happen with rapid subject changes too. This isn't news. It's typically not an issue most of the time in normal light with subject tracking enabled. The built in sound pre-amps are good enough, but external recorders will be cleaner. I never use the built-in microphones. When taking pictures, the D850 is clearly better. The Nikon has a better grip, even if bigger and heavier, for my hands. The grip on the S5 hurts my hand after extensive shooting. Buffer depth is not high enough on the S5 for my liking, though it's fine once you put a V90 card in. My biggest annoyance is that the Nikon gives me all of the options that I need to tune the Jpeg output where it's perfect out of the camera, but this isn't the case with the Panasonic. What the Panasonic is missing is a separate brightness option, that allows me to pull down shadows in a specific way while boosting highlights without clipping everything. In Raw, I more or less can get there - obviously slightly different due to being different brands. Exposure drift on static objects. When using auto-iso in video on a static scene the camera will sometimes start to overexpose by two stops for some reason. Switching to manual iso drops you all the way to the base, which ruins the footage. Dialing in exposure compensation while this starts to happen is an experience of chasing your own tail. This is with the latest firmware. The USB-C port on my camera does not work off external power when recording. I verified this with a USB power meter. I use a dummy battery with a USB-C connector in to a battery. This runs without issue except when the battery gets depleted, which causes an abrupt end to the video corrupting it - Panasonic provides a software tool to rescue your footage and it does work. Battery grip tax. Some brands charge obscene amounts of money for battery grips, which is mainly plastic and some wires, and Panasonic is no different. Other The electronic image stabilization can introduce artifacts in to your footage, but this is expected behavior. While the IBIS does work, it's not magic and shaky footage will still be ruined. I like controls to be lockable against accidental changes, this is a feature of typically expensive DSLRs for pro's. One thing that can happen is that the switches might move. The focus switch might get changed, or your burst mode selector type (leftmost dial) might switch to a different burst mode without realizing it. This is typically a risk when you have the camera hanging off while you walk around - from repeated brushing up against clothes. Versus the S5 II and X Looking at the specifications, the main stand out feature for me is the ability to record 10 bit without a time limit. I have lost some moments because I was not paying enough attention, granted that is ultimately my fault. The second attractive feature is the larger buffer for taking images. With this I would not need to keep V90 cards just for pictures and keep the large capacity V30 cards for video in the camera. The better auto focus comes with a cost, mainly reduced ability to pull up shadows due to banding. This S5 does not have banding. But I suspect for most this will be the main desired feature.

## Features

- A LIGHTWEIGHT, POWERFUL HYBRID CAMERA FOR VIBRANT STILL PHOTOGRAPHY AND CINEMATIC VIDEO: Realize your creative vision with extraordinary 4K 60p, 10-bit video, FHD 180fps Slow Motion option as well as 4:3 Anamorphic support.
- DETAILED PHOTO AND VIDEO THAT WILL DELIGHT ENTHUSIASTS AND EXPERTS ALIKE: Capture content in impressive high quality with 96MP High Resolution mode, Dual Native ISO to minimize noise in high sensitivity and V-Log/V-Gamut with 14 plus stop dynamic range.
- IMPROVED, HIGH-PRECISION AUTOFOCUS AND POWERFUL IMAGE STABILIZATION: Improved autofocus includes detection of the head as well as eyes, face and body, to capture subjects with ease and precision. 5-axis Dual I.S. 2 enables 6.5-stop slower shutter speed.
- EXPANDED FEATURES OFFER NEW LEVELS OF CREATIVITY: Use Live View Composite mode to instantly create a stunning image out of several live shots to capture fireworks or a starry sky

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B08FF55MV4 |
| Age Range Description | Adult |
| Aperture modes | F3.5–F5.6 |
| Are Batteries Included | Yes |
| Aspect Ratio | 1.50:1, 16:9, 4:3 |
| Aspect ratio | 1.50:1, 16:9, 4:3 |
| Auto Focus Technology | Eye Detection |
| Autofocus | Yes |
| Autofocus Points | 225 |
| Best Sellers Rank | #147,648 in Electronics ( See Top 100 in Electronics ) #231 in Mirrorless Cameras |
| Bit Depth | 14 Bit |
| Brand | Panasonic |
| Built-In Media | Camera Body Only |
| Camera Flash | Hotshoe |
| Camera Lens | 10 |
| Color | Black |
| Compatible Devices | [Leica L] |
| Compatible Flash Memory Type | SD |
| Compatible Mountings | Leica L |
| Compatible mountings | Leica L |
| Connectivity Technology | Bluetooth, Wi-Fi |
| Continuous Shooting | 7 FPS |
| Crop Mode | Full-Frame |
| Customer Reviews | 4.7 out of 5 stars 91 Reviews |
| Digital Scene Transition | False |
| Digital Zoom | 2 x |
| Digital-Still | No |
| Display Fixture Type | Articulating |
| Display Resolution Maximum | 19.7 MP |
| Display Type | LCD |
| Dots Per Screen | 1840000 |
| Effective Still Resolution | 24.2 MP |
| Expanded ISO Minimum | 50 |
| Exposure Control | Manual |
| File Format | JPEG, Raw |
| Flash Memory Bus Interface Type | UHS-II, UHS-I |
| Flash Memory Speed Class | UHS-II o UHS-I |
| Flash Memory Type | Slot 1: SD/SDHC/SDXC (UHS-II)Slot 2: SD/SDHC/SDXC (UHS-I) |
| Flash Memory Video Speed Class | V6 |
| Flash Modes | Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction |
| Flash Sync Speed | 1/250 sec |
| Focal Length Description | 50mm |
| Focus Features | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Focus Mode | Continuous-Servo AF (AF-C) |
| Focus Type | manual-and-auto |
| Form Factor | Mirrorless |
| Global Trade Identification Number | 00885170426290 |
| HDMI Type | Type D Micro HDMI |
| Hardware Interface | AV Port |
| Has Color Screen | Yes |
| Image Capture Type | Video |
| Image stabilisation | double |
| Image stabilization | double |
| Item Weight | 712 g |
| JPEG Quality Level | Normal |
| Lens Construction | Multi-element |
| Lens Type | Zoom |
| Manufacturer | Panasonic |
| Manufacturer Part Number | DC-S5BODY |
| Maximum Aperture | 1.8 f |
| Maximum Focal Length | 35 Millimeters |
| Maximum Shutter Speed | 1/8000 Seconds |
| Maximum focal length | 35 Millimeters |
| Memory Slots Available | 2 |
| Metering Methods | Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot |
| Minimum Focal Length | 35 Millimeters |
| Minimum Shutter Speed | 1/8000 Seconds |
| Model Name | Panasonic LUMIX S5|4K Mirrorless | Full-Frame| L-Mount Camera – (DC-S5BODY) |
| Model Number | DC-S5BODY |
| Model Series | S |
| Movie Mode | Yes |
| Night vision | No |
| Number of Diaphragm Blades | 9 |
| Optical Zoom | 3 x |
| Photo Filter Size | 67 Millimeters |
| Photo Filter Thread Size | 67 Millimeters |
| Photo Sensor Resolution | 24.2 MP |
| Photo Sensor Size | Full Frame (35mm) |
| Photo sensor technology | CMOS |
| Real Angle Of View | 47 Degrees |
| Recording Capacity | 30 Minutes |
| Remote Included | No |
| Screen Size | 3 Inches |
| Self Timer | 10 Seconds, 2 Seconds |
| Sensor Type | CMOS |
| Series Number | 5 |
| Shooting Modes | Bulb Mode,Aperture Priority, Manual, Program, Shutter Priority |
| Skill Level | Professional |
| Special Feature | V-Log, HDR, and Dual Native ISO; Contrast-Detect 225-Area DFD AF System |
| Specific Uses For Product | Photography, Videography |
| Supported Image Format | JPEG, Raw |
| Supported file format | JPEG, Raw |
| Total Still Resolution | 24.2 MP |
| Total USB 3.0 Ports | 1 |
| Total USB Ports | 1 |
| Total Video Out Ports | 1 |
| Touch Screen Type | Capacitive |
| UPC | 885170426290 |
| Unit Count | 1.0 Count |
| Video Output | Micro-HDMI |
| Video Resolution | 4K UHD 2160p |
| Viewfinder | Electronic |
| Viewfinder Magnification | 0.74x |
| White Balance Settings | Auto |
| Wireless Technology | Bluetooth |
| Write Speed | Up to 300 MB/s |
| Zoom | Optical Zoom |

## Product Details

- **Aspect ratio:** 1.50:1, 16:9, 4:3
- **Compatible mountings:** Leica L
- **Expanded ISO minimum:** 50
- **Image stabilisation:** double
- **Maximum aperture:** 1.8 f
- **Maximum focal length:** 35 Millimeters
- **Metering description:** Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot
- **Optical zoom:** 3 x
- **Photo sensor technology:** CMOS
- **Supported file format:** JPEG, Raw

## Images

![Panasonic LUMIX S5 Full Frame Mirrorless Camera, 4K 60P Video Recording with Flip Screen & Wifi, L-Mount, 5-Axis Dual I.S., DC-S5BODY (Black) - Image 1](https://m.media-amazon.com/images/I/617LAHEtbnL.jpg)

## Available Options

This product comes in different **Configuration, Style** options.

## Customer Reviews

### ⭐⭐⭐⭐ Great photography camera and great B-Cam
*by I***H on 21 October 2023*

I often use the Lumix S5 as a B-camera to the Blackmagic 6k Pro. Shoot in V-Log and colour transform to Blackmagic Gen 5 in DaVinci Resolve. The colours match pretty well with the 6K Pro in good lighting scenarios. I don't rely on auto focus, but what I can say is that the S5 doesn't perform well. But, then again, I don't use AF. In good lighting situations set the f-stop appropriately and keep the subject in place. For photos, it's great. One reason why I didn't buy another Blackmagic camera as a b-cam is because I wanted to do photos as well. The S5 has a great price under $1,950 CAD NEW. If you find the camera more than that that the seller is scamming you.

### ⭐⭐⭐⭐⭐ Excellent video, with minor issues
*by E***S on 18 September 2023*

I have been using this for at least two years. The stand out features of this is the video quality, and IBIS. I primarily use this for video in 10 bit. The good I do not have overheating issues when shooting in 10 bit mode, though in 90F heat I do feel it get noticeably warm after an hour. I have not had it shut down on me. The battery is typically safe for 1:30 of 10 bit footage (1:45 or 1:50 total possibly) when using the LCD. Using 3rd party batteries there is at least 15% less run time on average. When comparing against the Sony A7, there is the light weight construction (sony is no different) control ergonomics (something sony lacks) and control options (way better than sony). The video quality is better than my D850. I have at least four video profiles set up on my camera depending on the situation, but you can have more under C3 by going through the menu. I have shot it in (almost) complete darkness and was able to get usable footage after some light cleaning (flat profile). For sound, the auto limit works and keeps things from clipping. The 20-60mm lens is pretty good as a kit video lens for most things. It has a sharpness falloff after 35mm or so, but most of my use is at 20mm. The LCD screen can be customized to your liking with multiple options. There are several profiles to choose from, and you can additionally tweak most of them. I use Cine-D for outside, Natural for indoors, Flat for low light and the last one is the 8 bit mode in 709 for long shooting. Lots of control here. No issues with Auto-focus when shooting pictures. Having the options to choose either e-shutter or mechanical is an advantage when you want to shoot silently. Fun with manual focus lenses with focus peaking enabled along with IBIS. The not so great Battery life indicator does not have % indication. This makes it difficult to tell if you have 5 more minites of video life left or 30 seconds, when running thr battery down. Though normally getting the battery that low to begin with is bad practice. The supplied charger is no good. It takes too long, costs too much and takes up more space than needed. I use the XTAR 4 bay charger to charge multiple batteries. So the auto focus can hunt some times, which typically happens when there is low light (when you're at iso 12800). This can happen with rapid subject changes too. This isn't news. It's typically not an issue most of the time in normal light with subject tracking enabled. The built in sound pre-amps are good enough, but external recorders will be cleaner. I never use the built-in microphones. When taking pictures, the D850 is clearly better. The Nikon has a better grip, even if bigger and heavier, for my hands. The grip on the S5 hurts my hand after extensive shooting. Buffer depth is not high enough on the S5 for my liking, though it's fine once you put a V90 card in. My biggest annoyance is that the Nikon gives me all of the options that I need to tune the Jpeg output where it's perfect out of the camera, but this isn't the case with the Panasonic. What the Panasonic is missing is a separate brightness option, that allows me to pull down shadows in a specific way while boosting highlights without clipping everything. In Raw, I more or less can get there - obviously slightly different due to being different brands. Exposure drift on static objects. When using auto-iso in video on a static scene the camera will sometimes start to overexpose by two stops for some reason. Switching to manual iso drops you all the way to the base, which ruins the footage. Dialing in exposure compensation while this starts to happen is an experience of chasing your own tail. This is with the latest firmware. The USB-C port on my camera does not work off external power when recording. I verified this with a USB power meter. I use a dummy battery with a USB-C connector in to a battery. This runs without issue except when the battery gets depleted, which causes an abrupt end to the video corrupting it - Panasonic provides a software tool to rescue your footage and it does work. Battery grip tax. Some brands charge obscene amounts of money for battery grips, which is mainly plastic and some wires, and Panasonic is no different. Other The electronic image stabilization can introduce artifacts in to your footage, but this is expected behavior. While the IBIS does work, it's not magic and shaky footage will still be ruined. I like controls to be lockable against accidental changes, this is a feature of typically expensive DSLRs for pro's. One thing that can happen is that the switches might move. The focus switch might get changed, or your burst mode selector type (leftmost dial) might switch to a different burst mode without realizing it. This is typically a risk when you have the camera hanging off while you walk around - from repeated brushing up against clothes. Versus the S5 II and X Looking at the specifications, the main stand out feature for me is the ability to record 10 bit without a time limit. I have lost some moments because I was not paying enough attention, granted that is ultimately my fault. The second attractive feature is the larger buffer for taking images. With this I would not need to keep V90 cards just for pictures and keep the large capacity V30 cards for video in the camera. The better auto focus comes with a cost, mainly reduced ability to pull up shadows due to banding. This S5 does not have banding. But I suspect for most this will be the main desired feature.

### ⭐⭐⭐⭐⭐ Una cámara potente
*by E***S on 25 December 2024*

Sin duda es una cámara con muchas posibilidades, los colores son muy buenos, el autofoco de Panasonic nunca ha sido su fuerte pero en particular siempre he trabajado con foco manual, entonces no representa un problema grabe, aunque en estabilizadores puede facilitar mucho el trabajo. Pero en particular me gusto mucho esta cámara tiene herramientas muy buenas y la calidad de imagen compite con cualquier otra del Mercado. Panasonic siempre va adelante en las prestaciones de color y calidad de imagen.

## Frequently Bought Together

- Panasonic LUMIX S5 Full Frame Mirrorless Camera, 4K 60P Video Recording with Flip Screen & WiFi, L-Mount, 5-Axis Dual I.S., DC-S5BODY (Black)
- Panasonic LUMIX S Series Camera Lens, 50mm F1.8 L-Mount Interchangeable Lens for Mirrorless Full Frame Digital Cameras, S-S50 Black
- Wasabi Power 2-Pack USB-C Dual Battery Charger for Panasonic Lumix DC-G9, GH5, GH6, S5

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*Product available on Desertcart Brazil*
*Store origin: BR*
*Last updated: 2026-07-10*