---
product_id: 1375347
title: "The Hero with a Thousand Faces (Bollingen Series, 17)"
price: "R$393"
currency: BRL
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reviews_count: 13
url: https://www.desertcart.com.br/products/1375347-the-hero-with-a-thousand-faces-bollingen-series-17
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region: Brazil
---

# Expanded illustrations Classic mythic blueprint Psychology meets mythology The Hero with a Thousand Faces (Bollingen Series, 17)

**Price:** R$393
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## Summary

> 📖 Embark on the ultimate mythic adventure—your story starts here!

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- **What is this?** The Hero with a Thousand Faces (Bollingen Series, 17)
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## Key Features

- • **Enhanced Third Edition:** Enjoy expanded illustrations and accessible sidebars for deeper understanding.
- • **Creative Inspiration Hub:** Fuel your storytelling, songwriting, or game design with timeless mythic structures.
- • **Cross-Disciplinary Impact:** Influences fields from anthropology to film studies—join a community of thought leaders.
- • **Bridging Psychology & Myth:** Gain insights from Campbell’s revolutionary fusion of modern psychology and ancient myths.
- • **Unlock the Hero’s Journey:** Discover the universal adventure pattern shaping stories across cultures.

## Overview

Since 1949, Joseph Campbell’s The Hero with a Thousand Faces has defined the universal Hero’s Journey, blending psychology and comparative mythology. This third edition enriches the experience with expanded illustrations and sidebars, making it essential reading for professionals and creatives across disciplines seeking to understand and harness the power of myth.

## Description

Since its release in 1949, The Hero with a Thousand Faces has influenced millions of readers by combining the insights of modern psychology with Joseph Campbell’s revolutionary understanding of comparative mythology. In these pages, Campbell outlines the Hero’s Journey, a universal motif of adventure and transformation that runs through virtually all of the world’s mythic traditions. He also explores the Cosmogonic Cycle, the mythic pattern of world creation and destruction. As part of the Joseph Campbell Foundation’s Collected Works of Joseph Campbell, this third edition features expanded illustrations, a comprehensive bibliography, and more accessible sidebars. As relevant today as when it was first published, The Hero with a Thousand Faces continues to find new audiences in fields ranging from religion and anthropology to literature and film studies. The book has also profoundly influenced creative artists—including authors, songwriters, game designers, and filmmakers—and continues to inspire all those interested in the inherent human need to tell stories.

Review: 1,000 Faces, Joseph Campbell and the Journey of a Hero - The collection of stories deconstructed by Campbell weave together what he calls the mono-myth. The mono-myth is the constituents of elements used to construct the fundamental framework for creation stories, literature in general, and theology. For those who are attempting to navigate through a life filled with tragedy and obstacles learning these symbolic representations may give you the inspiration to continue enduring as you undertake the hero’s journey. This book is cited numerous times in respected literature pertaining to sociology, behavioral psychology, and evolutional psychology. For that reason (among many others) it was a MUST read for me. If you are equally enthusiastic about those subject then this book will certainly keep you captivated throughout. I would definitely place this book as a significant piece of work for understanding the primordial mind (emotional mind. The Elephant to the Rider). •SUMMARY• The book takes us through a journey of stories that have been constructed from behavioral patterned observed by a self-conscience organism, humans. We later assigned significance to those patterns, constructing patterns to them. Those patterns then transcended beyond the representations of specific events and evolve into psychological representations for life at a high-level. Like a tarot card or astrology reading that could be broadly applied to nearly everyone, the symbolic representation in these stories are fluid and relevant differently subject to a particular culture. In the prologue, he suggests that our intrinsic desire to connect with our ancestral spirit (which is the lessons encoding into our mind throughout the mind's evolution) is elemental to the nourishment of the success of survival. •PART 1• The call to action engenders the hero to begin his journey beyond his real of comfort and the constraints of society. The hero is introduced to multiple trials and tribulations along the journey. Once the hero is triumphant he passes the threshold and moves onto a new world of knowledge. Upon the end of his voluntary voyage into the unknown, he must invoke his life changing-boon. “The Keys” commentates how the secular perspective towards mythology catalyzes in the removal of its primary utility which is to episodically represent symbolism. The symbolism is the suggested narrative that we act out to tend towards Peterson’s heaven — for example. •PART 2• Campell cites Jung often, especially his main idea of the collective unconscious construction of archetypes and symbols. These symbols can characterize many things but the common elements consist of fear, hope, good, evil, and other fundamental elements for survival observed and encapsulated by the narrative. Emphasis on both the creator’s sexes aspects is depicted by stories and mythology. The sequence of life from the virgin birth to death; mainly, mortality is a quintessential component needed for the exploratory character to become the hero. During the hero’s journey s/he has the ability to become one of the various options: the warrior, the lover, the emperor/tyrant, the world redeemer, or the saint. There are two types of deaths that mythologies describe, the first is personal (microcosm), and the second is universal(macrocosm). The birth, life, thriving and death/parish.
Review: An excellent book on the hero's jourrney. - This classic work of Joseph Campbell deals with two ideas: the monomyth and the cosmogonic cycle. The monomyth (also known as the hero’s journey) is a mythological archetypal story found around the world. Campbell’s at-the-time novel work systemizes the understanding of the monomyth. According to him, the monomyth has three major rites of passage: separation, initiation and return. Under these rites of passage Campbell develops his systematization of mythic understanding. Under the part of separation are five themes: (1) The Call to Adventure, (2) Refusal of the Call, (3) Supernatural Aid, (4) The Crossing of the First Threshold, and (5) The Belly of the Whale. Under initiation are six themes: (1) The Road to Trials, (2) The Meeting with the Goddess, (3) Woman as the Temptress, (4) Atonement with the Father, (5) Apotheosis, and (6) The Ultimate Boon. Under the part of return are also six themes: (1) Refusal of the Return, (2) The Magic Flight, (3) Rescue from Without, (4) The Crossing of the Return Threshold, (5) Master of the Two Worlds, and (6) Freedom to Live. According to Campbell, myths shouldn’t be understood as scientific of historical thought, for it renders the story from its deeper interpretations and understanding. Using his systematization of the monomyth we can look at old myths in a new light. The author uses the scientific research of noted scholars such as Sigmund Freud, Carl G. Jung, Wilhelm Stekel, Otto Rank, Karl Abraham and Géza Róheim. His arguments are wisely and adamantly placed, making it impossible to refute his scholarly research as mere superstition. The book, although it provides explanations to well known myths, is of intermediate difficulty to read. It isn’t lengthy as James Frazer’s work (and doesn’t even give exhaustible examples of myths) but his argumentation and connection of different themes, motifs and archetypes between stories with eons between is difficult to grasp at first. Even when Campbell is exclusively describing a part of the hero’s journey, all the mythological themes are connected, and therefore it is important to keep in mind all the aspects of the journey at once. His perspective isn’t orthodox in nature, so you will find similarities between characters of various myths, such as Buddha and Jesus. The other part of his analysis is the cosmogonic cycle. In there he polishes is thesis developed in the monomyth part, focused in the understanding of the cycles of death and rebirth. The book contains endnotes, footnotes, an index and a bibliography divided in four parts: his main bibliography, editions of sacred texts he cited, journals and works he cited without information on edition. It is well written and maintains the thesis it puts forth at the introduction. It is a highly recommended book for those interested in story and myth. Those who read Mircea Eliade, James Frazer or Carl G. Jung will find it in their interest to dig into this book.

## Features

- The Hero with a Thousand Faces (The Collected Works of Joseph Campbell)

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #6,172 in Books ( See Top 100 in Books ) #3 in Folklore & Mythology Studies #3 in Customs & Traditions Social Sciences #4 in Archaeology (Books) |
| Customer Reviews | 4.7 out of 5 stars 7,178 Reviews |

## Images

![The Hero with a Thousand Faces (Bollingen Series, 17) - Image 1](https://m.media-amazon.com/images/I/81v9zbNbzZL.jpg)

## Available Options

This product comes in different **Media Language, Media Format** options.

## Customer Reviews

### ⭐⭐⭐⭐⭐ 1,000 Faces, Joseph Campbell and the Journey of a Hero
*by L***N on January 16, 2026*

The collection of stories deconstructed by Campbell weave together what he calls the mono-myth. The mono-myth is the constituents of elements used to construct the fundamental framework for creation stories, literature in general, and theology. For those who are attempting to navigate through a life filled with tragedy and obstacles learning these symbolic representations may give you the inspiration to continue enduring as you undertake the hero’s journey. This book is cited numerous times in respected literature pertaining to sociology, behavioral psychology, and evolutional psychology. For that reason (among many others) it was a MUST read for me. If you are equally enthusiastic about those subject then this book will certainly keep you captivated throughout. I would definitely place this book as a significant piece of work for understanding the primordial mind (emotional mind. The Elephant to the Rider). •SUMMARY• The book takes us through a journey of stories that have been constructed from behavioral patterned observed by a self-conscience organism, humans. We later assigned significance to those patterns, constructing patterns to them. Those patterns then transcended beyond the representations of specific events and evolve into psychological representations for life at a high-level. Like a tarot card or astrology reading that could be broadly applied to nearly everyone, the symbolic representation in these stories are fluid and relevant differently subject to a particular culture. In the prologue, he suggests that our intrinsic desire to connect with our ancestral spirit (which is the lessons encoding into our mind throughout the mind's evolution) is elemental to the nourishment of the success of survival. •PART 1• The call to action engenders the hero to begin his journey beyond his real of comfort and the constraints of society. The hero is introduced to multiple trials and tribulations along the journey. Once the hero is triumphant he passes the threshold and moves onto a new world of knowledge. Upon the end of his voluntary voyage into the unknown, he must invoke his life changing-boon. “The Keys” commentates how the secular perspective towards mythology catalyzes in the removal of its primary utility which is to episodically represent symbolism. The symbolism is the suggested narrative that we act out to tend towards Peterson’s heaven — for example. •PART 2• Campell cites Jung often, especially his main idea of the collective unconscious construction of archetypes and symbols. These symbols can characterize many things but the common elements consist of fear, hope, good, evil, and other fundamental elements for survival observed and encapsulated by the narrative. Emphasis on both the creator’s sexes aspects is depicted by stories and mythology. The sequence of life from the virgin birth to death; mainly, mortality is a quintessential component needed for the exploratory character to become the hero. During the hero’s journey s/he has the ability to become one of the various options: the warrior, the lover, the emperor/tyrant, the world redeemer, or the saint. There are two types of deaths that mythologies describe, the first is personal (microcosm), and the second is universal(macrocosm). The birth, life, thriving and death/parish.

### ⭐⭐⭐⭐⭐ An excellent book on the hero's jourrney.
*by M***Z on November 23, 2019*

This classic work of Joseph Campbell deals with two ideas: the monomyth and the cosmogonic cycle. The monomyth (also known as the hero’s journey) is a mythological archetypal story found around the world. Campbell’s at-the-time novel work systemizes the understanding of the monomyth. According to him, the monomyth has three major rites of passage: separation, initiation and return. Under these rites of passage Campbell develops his systematization of mythic understanding. Under the part of separation are five themes: (1) The Call to Adventure, (2) Refusal of the Call, (3) Supernatural Aid, (4) The Crossing of the First Threshold, and (5) The Belly of the Whale. Under initiation are six themes: (1) The Road to Trials, (2) The Meeting with the Goddess, (3) Woman as the Temptress, (4) Atonement with the Father, (5) Apotheosis, and (6) The Ultimate Boon. Under the part of return are also six themes: (1) Refusal of the Return, (2) The Magic Flight, (3) Rescue from Without, (4) The Crossing of the Return Threshold, (5) Master of the Two Worlds, and (6) Freedom to Live. According to Campbell, myths shouldn’t be understood as scientific of historical thought, for it renders the story from its deeper interpretations and understanding. Using his systematization of the monomyth we can look at old myths in a new light. The author uses the scientific research of noted scholars such as Sigmund Freud, Carl G. Jung, Wilhelm Stekel, Otto Rank, Karl Abraham and Géza Róheim. His arguments are wisely and adamantly placed, making it impossible to refute his scholarly research as mere superstition. The book, although it provides explanations to well known myths, is of intermediate difficulty to read. It isn’t lengthy as James Frazer’s work (and doesn’t even give exhaustible examples of myths) but his argumentation and connection of different themes, motifs and archetypes between stories with eons between is difficult to grasp at first. Even when Campbell is exclusively describing a part of the hero’s journey, all the mythological themes are connected, and therefore it is important to keep in mind all the aspects of the journey at once. His perspective isn’t orthodox in nature, so you will find similarities between characters of various myths, such as Buddha and Jesus. The other part of his analysis is the cosmogonic cycle. In there he polishes is thesis developed in the monomyth part, focused in the understanding of the cycles of death and rebirth. The book contains endnotes, footnotes, an index and a bibliography divided in four parts: his main bibliography, editions of sacred texts he cited, journals and works he cited without information on edition. It is well written and maintains the thesis it puts forth at the introduction. It is a highly recommended book for those interested in story and myth. Those who read Mircea Eliade, James Frazer or Carl G. Jung will find it in their interest to dig into this book.

### ⭐⭐⭐⭐⭐ The Karate Kid and The Hero with a Thousand Faces
*by J***S on April 19, 2018*

All the way back in 1949, Joseph Campbell wrote a book titled The Hero With a Thousand Faces. The book contains hundreds of examples of stories from a wide range of mythology, including those from Buddhist, Hindu, Christian, Native American, and Greek (and countless other) canons. Campbell identifies similarities in style as well as structure between the great adventure stories/mythologies throughout human history. Famously, he determines specific characteristics about the hero and his or her journey, hence the term (coined by Campbell) familiar to readers and writers alike, The Hero’s Journey. In effect, there is a very specific set of rules governing what makes a great story. And just in case I wasn’t certain of the extent of Campbell’s research, the book contains over forty pages of endnotes and other references. The man put in the research time. Reading The Hero With a Thousand Faces came at the perfect time for me. I’d heard of it and seen it recommended to me on Amazon for quite some time, but I never took the time to actually read it. Actually, I “Wikipedia’d” it a few times, but that was the extent of that. But in finally reading the book, Campbell has helped me understand much better some of the ideas that I’ve been working out in my weekly “Books of the Bible” review posts. If you’ve read any of my recent Bible book reviews, you’ll immediately recognize that Campbell has already clearly written what I’m still trying to figure out for myself. For example: “For the symbols of mythology are not manufactured; they cannot be ordered, invented or permanently suppressed. They are spontaneous productions of the psyche…” Powerful stuff. Here are the rules governing the first great stage of the adventure story (some of it is paraphrased in my own words): The Call to Adventure Initial Refusal to Heed the Call Supernatural Aid/Mentor/“Old Man” (Old man is a direct quote from Campbell.) Crossing the First Threshold Belly of the Whale (The Point When the Hero’s Death/Ultimate Failure seems Certain) Truly, Exodus would have been the perfect story to compare with Campbell’s ruleset, but I just wrote a review of Exodus last week, so I wanted to do something different. The Karate Kid might just might be the most perfect modern example of them all (and one of my favorite movies). So I thought it might be interesting to see just how closely the writers of this movie follow Campbell’s rules. Young New Jersey native Daniel is called to the great land of adventure (California) by his mother. He hates it there (his initial macro-reluctance to heed the call) and would like nothing more than to move back home. The only saving grace (besides a pretty girl) is a mentor (Mr. Myagi) that he meets when he arrives. After getting into some trouble with the local bullies, Daniel’s mentor signs him up for a karate tournament. Daniel is mortified and has no faith in his ability to survive a karate tournament like that (Micro-reluctance to Heed the Call), “I cannot believe… what you got me into back there!” But Daniel does as his mentor says and enters the tournament anyway (Crossing the First Threshold), where he manages to make it to the semifinals, further than he ever dreamed, before even hitting a snag. When he gets there, young bully Bobby cheats in a most despicable manner, kicking Daniel directly in the knee, damaging Daniel’s body seemingly beyond repair (into the Belly of the Whale, i.e., Daniel’s ultimate defeat seems certain). But just as soon as all hope is lost, Daniel’s mentor heals his leg through supernatural methods and Daniel comes back to win the tournament, his dignity, and the girl. Indeed, it’s a Hero’s Journey almost worthy of Moses. Note: There are other rules and further stages to the story that I haven’t included in this short review, but it seems to me that these are certainly the essential components to the modern story. Maybe some other time, I can write about the further stages and which stories they apply to (Lord of the Rings comes to mind). My final say on this book is as follows: If you’re a student of religion, mythology or philosophy, or if you are a writer (whether of music, poetry, or fiction), read this book. It contains a lot of good information.

## Frequently Bought Together

- The Hero with a Thousand Faces (The Collected Works of Joseph Campbell)
- The Power of Myth
- The Hero's Journey: Joseph Campbell on His Life and Work (The Collected Works of Joseph Campbell)

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*Last updated: 2026-10-23*